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Paris Men'S Clothing Week 2012/2013 Autumn Winter Series: Alternative Expression

2012/2/24 10:18:00 25

2012 autumn fashion

Men's wear

Most of them are suits, but the fashion trends of men's clothing with various high-end brands are also different.

We have reported the new series of Paris men's clothing week 2012/2013 autumn and winter. We already know a lot about this.

Next, we will start from the perspective of alternative fashion vision.

To provide the latest fashion information for trend lovers.

Alternative expression

Jean Paul Gaultier gentry style

Paris men's wear week 2012/2013 autumn winter series 2012 autumn winter men's fashion trend

In his brand show, Jean Paul Gore Jean (Paul Gaultier) made most models wear the Sam shovel soft hat, which is a gentlemanly classical return. Don't bet too early.

These caps can be anything, but the more than 40 year old guy will take it as part of himself.

Some, like fur collar overcoat and high collar.

Sweater

They are very avant-garde, but some are not.

The show even has a number of brick printed fabrics. In fact, this is the designer's second season print.

Paris men's wear week 2012/2013 autumn winter series 2012 autumn winter men's fashion trend

These garments look like runaway horses, from tattooed knitted sweaters to Hooded Sweatshirt vests.

The mixture of men and women gives some past JeanPaulGaultier flavor: a long skirt that looks like half of a cage and half of trousers and mop the floor, and the suit is covered with the corresponding Scotland skirt.

The designer tried to fill in more, many models wore extra jackets, and the tops were tied around the waist.

When they sweep across the show, the broad edges of their outlines are like an elegant evening dress.

Somehow these costumes brought the audience back to the uniform symbols, the men's hats.

At the end of the show, Gore and his models threw the whole hat into the audience.

Paris men's wear week

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CommedesGarcons hermaphrodite

With dark black hair, Polo pants and ladies' red shoes, the first appearance model of CommedesGarcons shows a boy who has been looking for the next punk rock band "New York Doll" (NewYorkDolls).

These "dolls" accidentally discovered the most brilliant expression of their costumes, no gender, a little nostalgia and flashy.

The curly black jacket in this series is likely to end in the band guitarist Sylvain Viltod, but on the other hand, some of the costumes on the show are striped skirts, small caps put in the moire ribbons and bird nest hairstyles, and boys look like girls in the new Oolong girls' school.

In the zone between "New York Doll" and "new Oolong girls school", Wakubo Rei identified the theme of her new series: neither men nor women.

She also gets help from the Gothic style that is most similar to what she has been applying to models. Gothic style itself has an innate nature without gender.

The bird's nest wigs may come from Gothic king and Robert Smith, the lead singer of the TheCure band.

And the corresponding background music with the show can also easily recognize the followers from Cure.

The clothing that crosses sex difference is neither fish nor fowl, including Gothic rose flower inlaid coat, short cut taper trousers, satin Plaid suit suit, and abstract constellation printing, giving Blair a feeling of witch.

When the show ends, the models get together in a sluggish way, which is the best time for a series.

This is not only quantitative strength, but also easier to appreciate the CommedesGarcons tribe's temperament.

This time, it is not like "boys", but "like girls", "like all of us".

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Walter Van Beirendonck sex and the city

Desire never sleeps.

Walter Vanbelen Walter (Van Beirendonck) gives him the title of the rookie, acknowledges the persistence of our despicable instincts.

His clothes are not matched by any other costumes in this season.

The combination of cartoon life style and highly dangerous subtext is uneasy. This is a reaction that has been easily gained throughout Walter Vanbelen's career. Anyone who has seen the designer's career retrospective in Antwerp, Belgium, will understand this.

The series revolves around the confrontation between the masks: the warriors of Papua New Guinea, or the type of the Caribbean witchcraft high priest, and the leather type worn by Western fetishism in the metropolis erotic club.

Van Belen DINK makes African models wear masks, most of them wearing a bandage pink type that mimics the skin of white people.

The designer insists on doing this just because he likes the contrast, but the effect is very disturbing.

Maybe it's just because van Belen DINK wants to make you think this way, but people can't resist it because the shiny and elegant suit is also a mask for the whole barbaric drama.

Remember, desire never sleeps.

Designers did use references to fetishism, not just masks, leather waterproof pants, fluffy Ma Haimao, and some small details, such as black rubber padlocks around the neck of a model, or a small piece of fur that defines a nail on a candy colored leather glove.

A pair of waterproof pant boots, which are made of green leather and match with jackets, shirts and ties.

In fact, all the cartoon colors are hard to weaken.

This series extends the style of Vivian Westwood's sex store or Stanley Kubrick's clockwork orange, which is an example of cartoon humour covering everyday fatal attacks.