The Charm Of Traditional Chinese Printing And Dyeing Fascinates Foreign Experts.

Swedish experts visit blue print technology to experience traditional Chinese printing and dyeing Charm

In November 5th, more than 10 Swedish

Experts visited the Nantong blue print cloth base and the blue print Museum, visiting the cultural elements of blue calico technology, and feeling the unique charm of Chinese traditional textile and dyeing art.

It is understood that Swedish experts have just participated in the Ninth International dyeing and weaving seminar held in Hangzhou after the special trip.

At this symposium, Wu Yuanxin, curator of the Nantong blue print Museum and national heritage inheritor, delivered a speech on the process inheritance, pattern research and innovation development of blue printed cloth, which has been well received by experts and scholars at home and abroad.

This group of Swedish experts came to fame.

"This is very interesting, and I gained a lot today, so that I can see the ancient Chinese culture.

Skills can be said to be an eye opener.

Mrs. Elm, who worked at the Swedish Museum, happily expressed the experience of the traditional blue print production process, such as tie dye, and so on.

"This trip to Nantong has not failed this trip, not only has I seen the inheritance of blue print in China, but also made me have a better understanding of Chinese culture."

Ms. Amiga, a university teacher, said.

Ms. Ann Ting sang arrived.

The museum has been here many times, but every time it comes, it can bring different surprises to her.

"Every year, I will come to China to study with some friends who are keen on clothing and dyeing and weaving. Nantong's blue print house is an indispensable station, and everyone shows strong interest and strong curiosity about it."

Speaking fluent Chinese, she took many foreign friends to visit the skills of blue print, and enjoyed it.

"Through such exchanges, the intangible cultural heritage of Nantong can be further spread and promoted to protect, promote and develop Nantong.

It is of great significance.

Wu Yuanxin told reporters, "in the future, we will further strengthen exchanges and cooperation with the world so that Nantong blue printed cloth can enjoy a world-renowned reputation."

It is a kind of "anti staining method" of ancient textiles in China, which reads "Ji" oxi ye, also known as "duer" and "pinch".

It is also one of the traditional manual dyeing techniques in China.

A few days ago, the Chinese Silk Museum opened a new exhibition called "Silk Road".

Everyone is asking, what does "vale" mean?

This word came a little late and appeared only in the Tang Dynasty.

Fabric collectively.

What is the stain? You read it: stop your staining.

The ancients came up with all kinds of strange ways to prevent the color from being stained and deliberately create blanks, so as to form various creative patterns.

That is to say, according to a certain pattern, stitch the fabric into a certain shape with needle and thread, or tie it directly with the thread, then tighten it tightly, so that the fabric is creased and overlapped. It is not easy to dye the fold at the time of dyeing, but it is easy to stain when it is not tied, so as to form a distinctive flavor of the faint color effect.

The "valerian" appeared in the Tang Dynasty, but whether it was the earliest or not, is hard to say nowadays.

But at that time, they had already felt that a piece of white cloth had been spread out, painted some patterns and stained some colors, so they were so peaceful that they came up with the "three ancient valerian": twisted valerian, grey valerian, and clipped valerian.

How to distinguish these three little partners? It's quite simple.

It is tie dyeing, and it has the effect of halo dyeing; grey vale is the blue printed cloth we often see; as for the clip, the pattern must be symmetrical.